glitchasemics @ post-asemic press

http://postasemicpress.blogspot.com/2020/05/glitchasemics-by-marco-giovenale-is.html

https://www.amazon.com/dp/1734866209/

                

dare la precedenza (all'impiccato) / differx. 2020

situations / david arnold

http://www.margaretarnoldgallery.com/situations.html

selves / differx. 2014

   

Clouds and servers say that.

Electricity saves our cloud.

Selves are shelves in clouds.

Electricity saves our selves.

   

part of my 814th message / differx. 2014

   

 

spell-the-well / differx. 2014

 

   

asemic encyclopaedia, p. 895a / differx. 2014

 

   

three_ 3 / differx. 2014

   

0630 (most of all) / differx. 2014

authority / differx. 2010

m. giovenale_ authority

click a face to tag / differx. 2014

  

 

xplain / differx. 2013

   

 

4241 / differx. 2013

   

 

move mns / differx. 2013

  

   

 
   

the shape of the field

is it really (only) “visual poetry” the thing I deal with? 

I realize I'm absolutely interested in signs, traces, borders, explanations, asemic areas, glyphs, arrows, cacography, alphabets, open fields, blurred images, distant grass, abstract figures and movies, glitch in sound and vision, ripped cardbox, scratched wood, scratched tapes, uncanny machines, lack of meaning, naive drawings, art brut, lowres shots, random shots, bad photos of notes and things, boring manuscripts, boring explanations, boring graffiti, handwritten lists and instructions, weird diagrams, diaries, “action writing” / action painting, mixed excerpts of any kind, verbovisual chaos, contradictions, plain statements, twisted sentences, heaps of words, chalk drawings, empty rooms, empty squares, pseudo-fields of forces, found items, readymades, unfinished sketches, bad prose pieces, cut-up prose, diagonals, bunch of diagonals, ugly scribbles and doodles, fake math, stains and lakes and wires and snakes of black ink, ideograms, fake ideograms, cursive overwriting, collapse of sound, and noise, superimposed images, collage, digital collages, disturbed texts, écriture, walls and sheets of words, handwritten papers, rough handwriting, incomplete transcriptions, photos of manuscripts, scanned fragments, bad scans, arte molto povera, installances, lost leaflets, dirty ones, old and new ephemera, marginal events, short movies, b/w works, out-of-focus, stones, written stones, my bad English...

all of this stuff is what I try to mix, write, pick up, store, and

I'm against editing, post-production, bellettrisme, wise quotations, meta-language, mimicry, novels, serious art, and

I DO REJECT HI-RES.

what do I have to do with all of the thousand hi-res & calligraphically rendered online landscapes? first of all, I have some actual landscape offline. and: I’ve no time at all.

___’d better go fetch errors and misshapen signs, traces, borders, ...

   

first instructions (01) / differx. 2011

     

this asemic work on paper took part in the "Write Now" exhibit in Kaunas and Chicago (2011), thanks to Keith Buchholz: -- see http://ginnylloyd.blogspot.it/2011/10/visual-poetry-show-in-chicago.html

an italian network

     
http://slowforward.wordpress.com/2012/09/24/net-sperimentazioni/
   

feel so [] / differx. 2012

i should think i
exceed two thousand repeated alterations
apparently of submarine origin the depth of a few feet into an opaque stone
(remarkable)
...have flowed from many, but not from all
the delights of collecting and studying marine animals
perhaps write a book
(remarkable)
hence probably the incrustation never acquires a great thickness
like a nearly similar pale pearly grey coating at the great cataracts
of the orinoco and nile
(remarkable)
with the upper and exposed surfaces of the shells of living mollusca
resembling in form
iron in endless gradations
(unable to trace)
artificial substance
with an angular bed fracture
of partially devitrified glass
(unable to trace)
the purest masses, according to the accumulation of shelly detritus,
with their laminae conformably breaking and dissolving the less perfectly formed globules
under the hill
(remarkable)
it dips into the sea and disappears
(unable to trace)

 

asemic 0331 / differx. 2012

salvation from developing oil

• a living physical universe especially recommends crime unemployment for chemistry
•  physicians ask for the public or for mahanta solar systems
•  such subcraft principles were a father + apple cider vinegar
• the calcium books rotate in the affected skin twice per day
• big glass of motions
• there are countries without bathrooms and carboncopy toes